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・ Jules Roguin
・ Jules Romain
・ Jules Romains
・ Jules Rossi
・ Jules Rossignol
・ Jules Rossignon
・ Jules Roulleau
・ Jules Roy
・ Jules Rykovich
・ Jules Rémy
・ Jules Sales
・ Jules Sandeau
・ Jules Saulnier
・ Jules Scalbert
・ Jules Schelvis
Jules Schmalzigaug
・ Jules Schwartz
・ Jules Sedney
・ Jules Semler-Collery
・ Jules Shear
・ Jules Siegel
・ Jules Simon
・ Jules Simon Troubat
・ Jules Sitruk
・ Jules Sobrian
・ Jules Solime Milscent
・ Jules Sottas
・ Jules Stein Eye Institute
・ Jules Strongbow
・ Jules Supervielle


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Jules Schmalzigaug : ウィキペディア英語版
Jules Schmalzigaug

Jules Schmalzigaug (Antwerp, 1882 or 1883 (the sources have different data) – The Hague, 13 May 1917) was a Belgian futurist painter.
== His Life and Art ==

His well-to-do family came from Germany and lived in Antwerp. Schmalzigaug travelled a lot form his age of 16. In 1905-1906 he made a grand tour of Italy, where he was especially impressed and influenced by Venice.
Returning to Antwerp he became a secretary to the art society of Kunst van Heden/L'Art Contemporain, and worked on the organisation of international exhibitions. Between 1910 and 1912 he lived mainly in Paris. There he had the opportunity to see the exhibition of Italian futurists in 1912 and decided to move to Italy under the impressions of it.
His time in Italy between 1912 and 1914 was the happiest and most active part of his life and art. In 1914 he took part on the international exhibition of futurists in Rome. His style developed towards the abstract.
In 1914 he returned to Antwerp. He was declared unfit for military service on health grounds. After the start of World War I he moved to The Hague in neutral Netherlands.
He felt lonely in the isolated country, he longed after the sunny Venice and the whirring international life of artists.
In his art he returned to the figurative painting, but his works from this period did not reach the previous level. He fell into depression and committed suicide.
Michael Palmer British art historian has written about him, that Schmalzigaug has not received great acknowledgement in his life neither in Belgium, nor internationally, but in spite of this he belonged to the most original and most talented modern Belgian artists of his time.
His works can be seen in the Royal Museum of Fine Arts, Antwerp, the Royal Museums of Fine Arts of Belgium in Brussels, and the Provincial Museum of Modern Art in Ostend.

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